Thanks to the Film Arts Foundation's online forum and Coordinator Andrew Stadler's know-how,
the city of San Francisco became a filmmakers' dream town.
Over fifty people, using ten locations and two tons of equipment, brought the script for Ashes To Ashes into living, widescreen color.
|Who were they? Click below and you can read both sets of credits: the ones that hover over the opening shots as the movie begins,
and the ones that scroll, over black, at the end.